Visual Arts Program
Photography Class
Painting Class
Printmaking Class
Arts and Sciences Classroom
Within the Visual Arts program you can pursue
a B.A. degree in:
• Interdisciplinary Visual Arts;
• Art Teacher Certification for K-12;
• Art History,
or a B.F.A. (Bachelor of Fine Arts) degree in Studio Art. Students in the BFA select a concentration from:
• Illustration;
• Photography;
• Studio Art (painting, printmaking, sculpture);
• Graphic design (Visual Communications).
Minors in Art History and Studio Art are also available.
About the Program
This curriculum provides the student with the foundation and advanced skills necessary for a career in the arts, graduate study, and preparation for a broad range of general career paths. With nationally recognized faculty members and dedicated studios for digital media, drawing, painting, print-making, photography, and sculpture, the Visual Arts program at Stockton is an excellent place to develop your skills as an artist while receiving an excellent liberal arts education.
The Visual Arts program prepares students for careers as artists, graphic designers, photographers, illustrators, and fabricators, as well as careers in education, business, galleries and museums, and not-for-profit organizations.
The B.A. in Interdisciplinary Visual Arts or Art History, or Visual Arts K-12 Teacher Education, or the BFA in Studio Art, is also the first step for students interested in graduate study in art or art history. Visual Arts students are constantly pushed to develop their critical thinking and creative problem-solving skills, which are consistently listed among the skills Fortune 500 companies desire most.
The successes of our alumni are the best evidence of the quality of our program! Graduates of the Stockton Visual Arts program have attended top-ranked graduate programs and gone on to successful careers as photographers, graphic designers, illustrators, and in museums and galleries around the county.
Our Mission
The mission of the visual arts program is to help students acquire the skills and conceptual framework necessary for the expression of ideas in art, design and art history, and to help them develop the basis for a lifelong pursuit of creative activity.
Student Testimonials
I majored in Visual Communications, as well as Art Education during my time at Stockton College. I chose Stockton College to further my art education after touring the Arts and Sciences building. I liked that Stockton had many different new art studios to work in, including photography, painting, computer labs and a sculpture studio. Stockton also provides extra studio time to students outside of regular class time. In addition to the Arts program, the Education program at Stockton is very well known in New Jersey for producing highly skilled, qualified teachers. I heard great things about the professors who teach at Stockton, so I knew it was the right fit for me.
B.F.A. - Visual Communications Concentration
I chose Stockton because I was looking for a strong graphic design program, but also wanted an intimate class size. A mentor at my community college recommended Stockton, and I really liked the atmosphere of the campus after a tour. While attending Stockton all of my professors knew who I was, and where I was in their courses. At Stockton you'll never feel like you are being pushed through a program as a number or a statistic. I really value the relationships I built with my professors while I attended Stockton and still keep in contact with many of them today.
B.F.A. - Visual Communications Concentration
I was a Visual Arts major, and my concentration was on sculpture. Stockton was very highly recommended to me by some friends who had attended. I will admit that as a non-traditional (older) student, I was hesitant to begin my college career. But once I met my professors and began my classes, I knew I was in the right place! I’m so thankful for the time I got to spend with all of them.
B.F.A. - Sculpture Concentration
Accreditation
The Bachelor of Arts Degree (BA)
The Bachelor of Arts Degree (BA) is offered through the Visual Arts Program. While completing the Core Curriculum, students select a BA concentration in Art History, Interdisciplinary Visual Arts (VIBA), or Visual Arts K-12 Teacher Certification (EDVA).
Concentrations:
Interdisciplinary Studio Art (VIBA)is a general studio arts degree in the Visual Arts with flexible course selection. The one-semester capstone (Senior Project) culminates in a project portfolio developed by the individual student.
Art History is the academic discipline that studies the history and development of the visual
arts, including architecture, painting, photography, prints, sculpture, and other
media.
The discipline is a useful supporting field for students of the visual arts, history,
literature, languages, psychology, philosophy, religion, and other disciplines.
The careers most directly related to Art History are in the curatorial, education,
and administrative departments of art museums, galleries, and arts non-profits.
Art history majors have found employment in fields as varied as teaching, interior
design, antiques, architecture, fashion, writing, editing, and publishing.
Visual Arts K-12 Teacher Certification (EDVA) is designed for students to earn a B.A. in Visual Arts with Teacher Certification. In this concentration, students take extensive courses in Visual Arts and in the School of Education, leading to certification to teach art at the primary and secondary level. Courses in drawing, painting, and sculpture are emphasized, with courses in digital design and illustration available. In the final year of the degree, students complete a practicum with a placement in K-12 classroom environments.
Curriculum
Click here for information about Portfolio Submission for VIBA and EDVA.
To view the curriculum, you’ll use the web program, Degree Works. This program is accessible even if you are not currently a student with Stockton University.
Current Students
Access your portal for Degree Works, then look for the “what if” option to explore the various paths towards degree completion. Click the button below for instructional videos on how to use Degree Works:
Prospective Students
Use the button below:
How to Use Degree Works Equivalency:
- At the next page you are prompted with three (3) options. Select the one that says “continue without signing in.”
- Respond to each prompt using the pull-down menu in the center of the page. [Please be patient. It may take a few seconds for the system to process your request. If you see a NO symbol, you need to wait a moment!]
Prompts include:
- Enrollment dates (Choose intended semester attending)
- Intended level (Choose “undergraduate”)
- What degree you will pursue? (Choose “Bachelor of Arts”)
- What is your intended major? (Choose “Visual Arts”)
- What is your intended concentration? (Choose from one of the concentrations listed below)
- What is your intended minor? (Choose “none” or select one - it is not required).
- For prospective students, choose “I’m all done" button.
- For transfer students, use the “class” button to see how courses already taken fit into the Stockton degree path.
- You will see an overview of the degree you have selected, including all requirements.
- At the bottom of the screen, you could save or print the worksheet.
The Bachelor of Fine Art Degree (BFA)
The Bachelor of Fine Art Degree (BFA) is offered through the Visual Arts Program. While completing the Core Curriculum, students select a BFA concentration in Illustration, Photography, Studio Art, or Visual Communications (graphic design).
The BFA offers depth in a discipline, more intensive studio experience, the knowledge and technical skill set fundamental to a discipline, and preparation for a career in the visual arts. In the two-semester capstone (Senior Project I and II) courses, faculty work closely with individual students to develop an individual portfolio of work made to professional standards, preparing them to apply to the graduate programs or pursue a career in the creative fields. The BFA culminates in a Senior Project Degree Exhibition in the Stockton Art Gallery.
Concentrations:
Studio Art is a concentration in the BFA in Visual Arts that emphasizes artmaking in traditional
art disciplines and interdisciplinary art practice. Students have the opportunity
to select one or more areas of emphasis in painting, printmaking, or sculpture.
Painting at Stockton embraces everything from historical methods in oil to a variety of contemporary
media. Coursework varies considerably: in observational courses, students paint the
lakes and woods of the Galloway campus, along with the figure and numerous traditional
subjects. Other courses emphasize possibilities with material experimentation, abstraction,
and personal thematic exploration. Students in painting develop critical thinking
abilities, problem-solving, and visual thinking that have taken them into a variety
of creative fields.
Printmaking is an artistic process that allows artists to make multiple original works of art
by transferring images from a matrix onto another surface, most often paper or fabric.
Printmaking techniques include intaglio, lithography, relief, and silkscreen.
Contemporary printmaking is a vibrant field where students experiment with digital
technologies, renew traditional techniques, and work with alternative materials and
tools like laser cutters and non-toxic photopolymer intaglio. This concentration applies
to a variety of careers, including teaching, graphic design, illustration, and arts
management.
e on in a variety of careers, including teaching, graphic design, and arts management.
Sculptureis the creation of art in three-dimensional space. Sculpture can include almost any
medium, any process, and any form. A figure modeled, carved in marble is sculpture,
but so is a room filled with motor oil, or a life-sized whale skeleton made of plastic
lawn chairs. As a result, sculpture students are invited to experiment with a wide
range of materials, explore a wide range of working methods, and discover an approach
that works for them.
Sculpture is an excellent starting point for careers in special effects, animation, toy design, industrial design, furniture design, interior design, architecture, landscape architecture, and commercial fabrication.
Photography is a concentration in the BFA in Visual Arts. It involves a wide range of issues and technologies related to photographic practice.
The photography concentration emphasizes camera- based images (analog and digital), light-sensitive materials, and problem-solving skills as an expression of ideas or concepts. Students work with both analog and digital image-making processes as a means of understanding the history and contemporary practice of the medium. The darkroom and the computer labs provide complementary tools for practical and creative problem solving.
The concentration prepares artists for nearly every aspect of the creative industries, including opportunities with for-profit and not-for-profit organizations, news media, advertising, museums, galleries, and more.
Career choices include graduate study, periodicals, large media producing companies, independent professional photographer; K-12 teaching (with certification), as well as college-level teaching (with graduate study and professional record).
Graphic Design (Visual Communications) is a concentration in the BFA in Visual Arts, is about the presentation of information through organization and manipulation of visual elements (typography, images, color, etc.) to communicate specific messages.
The graphic design profession plans and creates the visual means to communicate a particular message to a particular audience and context. Graphic Designers produce things people read, whether including words, signs, symbols, and imagery, or any combination of those, which interpret, inform, or persuade. Graphic Design utilizes typography, illustration, photography, and computer graphics.
In Visual Communications students acquire the technical, conceptual, and theoretical skills needed for entry-level positions in the field, for continued professional advancement, and for more specialized studies in graduate school. Stockton Visual Communications students have gone on to careers in advertising and marketing agencies, design studios, in-house design departments in corporations and other institutions, publishing, and packaging.
Illustrationis a concentration in the BFA in Visual Arts, focused on creating images that communicate.
The Illustration program specializes in creating images that convey ideas and emotions. Students in this concentration work with analog and digital tools to cultivate a thorough understanding of form, composition, and color, think deeply about content, and develop their own artistic style.
Illustration is an essential element of comics and graphic novels, children’s books, storyboarding, and game design, and illustration skills are relevant to the fields of advertising, film, fashion, and theater.
Curriculum
Click here for information about Portfolio Submission.
To view the curriculum, you’ll use the web program, Degree Works. This program is accessible even if you are not currently a student with Stockton University.
Current Students
Access your portal for Degree Works, then look for the “what if” option to explore the various paths towards degree completion. Click the button below for instructional videos on how to use Degree Works:
Prospective Students
Use the button below:
How to Use Degree Works Equivalency:
- At the next page you are prompted with three (3) options. Select the one that says “continue without signing in.”
- Respond to each prompt using the pull-down menu in the center of the page. [Please be patient. It may take a few seconds for the system to process your request. If you see a NO symbol, you need to wait a moment!]
Prompts include:
- Enrollment dates (Choose intended semester attending)
- Intended level (Choose “undergraduate”)
- What degree you will pursue? (Choose “Bachelor of Fine Arts”)
- What is your intended major? (Choose “Visual Arts”)
- What is your intended concentration? (Choose from one of the concentrations listed below)
- What is your intended minor? (Choose “none” or select one - it is not required).
- For prospective students, choose “I’m all done" button.
- For transfer students, use the “class” button to see how courses already taken fit into the Stockton degree path.
- You will see an overview of the degree you have selected, including all requirements.
- At the bottom of the screen, you could save or print the worksheet.
Minors
The minors in Studio Art and Art History are designed to provide a coherent, formal, and officially recognized course of study in the Visual Arts for the non-art major, the student whose primary field lies elsewhere but who desires, out of personal interest or for career reasons, to pursue a cohesive program in art. Studio Art majors working toward either the BFA or B.A. degree may also elect to minor in Art History. The Visual Arts comprise a field of great relevance and enrichment to a variety of disciplines, including but not limited to communication, history, literature, education, theatrical studies, business studies, and the sciences.
A student must meet the University criteria, which include a minimum grade point average of 2.0 overall and must satisfy all of the course distribution requirements for the Visual Arts minors. A maximum of two transfer courses will be counted toward a Stockton Visual Arts minor.
To view the Course Schedule by term, click here. See the Catalog of Courses for complete descriptions of course offerings.
For detailed curriculum information, please refer to the Academic Bulletin.
Visual Arts Faculty
Mariana Smith
Mariana Smith
Program Chair Associate Professor of Art (Printmaking)
BIOGRAPHY
Mariana Smith received a BFA in fine art and miniature painting from Moscow College of Applied and Industrial Arts in Moscow, Russia. After immigrating to USA in 1992, she received a 2002 BFA with emphasis in printmaking from the Columbus College of Art and Design in Columbus OH, and a 2004 MFA from the Cornell University in Ithaca, NY.
In her studio Mariana Smith combines printmaking, miniature painting, and digital video. Her installations address the nature of immigrant dislocations and the unrealized dream of homeland.
Smith’s work has been exhibited in USA, Italy, China, Ireland, New Zealand, Guam and Armenia, and was displayed at the State of Ohio Governor’s Mansion in Columbus, Ohio. Artist residencies include International printmaking workshop in Auckland, New Zealand, Scuola Internazionale di Grafica di Venezia, Venice, Italy, residency, International Printmaking Workshop, Xi'an, China, GCAC Dresden Residency, Dresden, Germany, Venice Printmaking Studio, Venice, Italy, Vermont Studio Center, Johnson, VT, Moscow College of Applied and Industrial Arts, and Fedoskino Lacquer Miniature Factory, in Russia.
EDUCATION
MFA, Cornell University
AREAS OF EXPERTISE
Studio art: printmaking, multimedia and video installation, miniature painting, book art; theory: contemporary fine art, folk art
COURSES
ARTV 2155 Intermediate Drawing
ARTV 2168 Printmaking I
ARTV 2169 Printmaking and Mixed Media
GAH 1265 Introduction to the Print
GIS 4764 Globalization and Art
EXHIBITIONS
Currently, Mariana Smith is collaborating with the multimedia artists and scholars from USA, Armenia, Germany, and Greece on a project connecting contemporary art and the global migrant and refugee crisis. In May 2016 Mariana Smith presented a lecture titled “Contemporary Art and Immigrant Narratives in the United States of America” at the Academy of Fine Art in Dresden, Hochschule für Bildende Künste Dresden, Germany. In June 2016 at the Gallery of Mariam and Eranuhi Aslamazyan Sisters in Gyumri, Armenia, the project “Metamorphosis. The Human Stories” opened with a multimedia exhibition, a series of lectures, and a dance performance. This project will continue as a symposium at Stockton University in February 2017 and will conclude in November 2017 as an exhibition, bookmaking workshop, and a series of lectures at the Academy of Fine Art in Dresden, Hochschule für Bildende Künste Dresden, Germany.
Additional 2016 group exhibitions include an invitational contemporary printmaking exhibition at the Isla Center for the Arts in Guam, an exhibition "Surfaces" at the Hammond Harkins Gallery in Columbus, OH, "Trans-Dimensional" exhibition at Pacific North College of Art, Portland, OR, as well as a traveling group exhibition "Contemporary Art Hatching Across Ohio", Columbus Museum of Art, Massillon Museum, Southern Ohio Museum & Cultural Center, OH.
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PROFESSIONAL AFFILIATIONS
Southern Graphics Council International
College Art Association
Mid American Print Council
Chung-Fan Chang
Chung-Fan Chang
Associate Professor of Art (Foundations)
AREAS OF EXPERTISE
Foundations, drawing, design, painting, mixed media
COURSES
ARTV 1161 Introduction to 2-Dimensional Design
ARTV 1164 Introduction to 2-Dimensional Digital Design
ARTV 1162 Introduction to Drawing
ARTV 2166 Drawing II: Figure Drawing
GAH 1259 2-Dimensional Design on the Computer
GAH 2296 Chinese Brush Painting
EXHIBITIONS
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| 2013 | Kite: Reborn, Ronnie Miller Art Gallery, Meridian Community College, Meridian, MS |
| 2012 | Kite: Suspended | A Drawing Installation, Arts Center of Mississippi, Jackson, MS |
| 2011 | Kite | A Drawing Installation, Arts Center of Mississippi, Jackson, MS |
| 2010 | Kite, Dewberry Gallery of SCAD, Atlanta, GA |
| 2009 | Visiting Artist Series, Lamar Dodd School of Art, University of Georgia, Athens, GA |
SELECTED BIBLIOGRAPHY & PRESS
Jackson Free Press, “Chung-Fan Chang”, February 5, 2015, by Amber Helsel.
http://www.jacksonfreepress.com/news/2015/feb/05/chung-fan-chang/
The Clarion-Ledger, “Sherry's picks for arts and entertainment”, February 4, 2015, by Sherry Lucas.
http://www.clarionledger.com/story/life/2015/02/04/sherrys-picks-arts-entertainment/22895361/
The University of Mississippi News, “Meek Hall: Add A Little Art to Your Day”, February 3, 2014, by Dennis Irwin.http://news.olemiss.edu/meek-hall-add-a-little-art-to-your-day/#.UxU2bF79oYc
Jackson State Newsroom, “JSU Roars: Taiwanese visual artist brings Eastern and Western perspectives to the classroom”, October 13, 2013, by Jackson State University. http://www.jsumsnews.com/?p=9362
Art Radar Journal, “Beyond Taiwan’s horizons: Taiwanese contemporary art in the US”, August 2, 2013, by Kate Nicholson. http://artradarjournal.com/2013/08/02/beyond-taiwans-horizons-taiwanese- contemporary-art-in-the-us/
Laurel WDAM.com, “LRMA presents Mississippi Art Faculty Juried Exhibition”, April 12, 2012, by Mercer Morrison. http://www.arttoartpalettejournal.com/2012/04/ms-laurel-3/
Future Forward Journal, “Foundations NOW”, March, 2012, by Integrative Teaching International.
http://integrativeteaching.org/storage/ITI_FutureForward_4.pdf
Boom Jackson Magazine, “Outside the Box”, Spring 2012, by Adrian Louie.
http://issuu.com/jacksonfreepress/docs/boom_spr_2012 P. 72
Creative Lofting Atlanta, “Funny, angsty, urgent show considers the boundaries of drawing”,
September 01, 2011, by Felicia Feaster.
Creative Lofting Atlanta, “Under the influence at MOCA GA”, January 28, 2011, by Felicia Feaster.
http://m.clatl.com/gyrobase/under-the-influence-at-moca-ga-movers-and-shakers/Content?oid=2717196
Art Nouveau Magazine, “The Quadrennial Greater Decatur Group Show (Review)”, November 19, 2010, by John Coulter. http://www.an-mag.com/the-quadrennial-greater-decatur-group-show-review/
ArtsCriticATL, “Review: Poetic conceptualism pervades work by Atlanta artists in ‘Quadrennial’ at
Agnes Scott”, October 7, 2010, by Jerry Cullum.
http://www.artsatl.com/2010/10/review-spirit-of-poetic-conceptualism-pervades-work-by-atlanta-artists-
in-quadriennial-at-agnes-scott/
The Connector, “Juxtaposing color and shape in ‘Kite’”, July 8, 2010, by Alexandra Sowers.
World Journal, “Solo Exhibition by Chung-Fan Chang”, June 29, 2010.
http://www.worldjournal.com/view/full_local_story/8082394/article-
MMCA Marketplace, “Artist Interview”, April 8, 2010, by Debbie Overton.
Franklin News, “Feature Story”, April 21, 2009, by Charles A. Westfall.
SELECTED COLLECTIONS
National Taiwan Museum of Fine Arts, Taichung City, Taiwan
Michael Rooks, Wieland Family Curator of Modern & Contemporary Art, High Museum, Atlanta,
GA Kuandu Museum of Fine Arts, Taipei, Taiwan
Blue Medium, New York, NY
Permanent Collection, Savannah College of Art and Design, Atlanta, GA
Ann-Marie Manker, Gallery Director, Kibbee Gallery, Atlanta, GA
Ken and Tracy Szilasi, President, Maison Weiss, Jackson, MS
Private collectors upon request
PROFESSIONAL AFFILIATIONS
College Art Association (CAA)
Southeastern College Art Conference (SECAC)
Mid-America College Art Association Conference (MACAA) Foundations in Art: Theory
& Education (FATE)
Chinese-American Art Faculty Association (CAAFA)
American Alliance of Museums (AAM)
Association of the Visual Arts in Taiwan (AVAT)
Jacob Feige
Jacob Feige
Associate Professor of Art (Painting)
BIOGRAPHY
Jacob Feige is a painter whose work has been exhibited in galleries and museums throughout the world, most recently at Lombard Freid Projects, New York, Jolie Laide, Philadelphia, and Movement, Worcester, UK. His abstraction-in-landscape paintings have been written about in Artforum, Freize, The New Yorker, and elsewhere. The Phaidon Press anthology of contemporary abstract painting, Painting Abstraction, includes a section on his work. Jacob has lived in Colorado, New York, Florida, and Pennsylvania, among other places, and experiences in these American settings continue to inform his work. His areas of interest include nineteenth-century American painting and the art of American communes and collectives in the 1960s and 70s.
WEBSITE
EDUCATION
MFA, Cranbrook Academy of Art
COURSES
ARTV 1162 Intro to Drawing
ARTV 2161 Painting 1
ARTV 3233 Painting from Observation
ARTV 4960/4961 Senior Project in Painting I & II
Work included in:
Nickas, Robert. Painting Abstraction: New Elements in Abstract Painting. London: Phaidon Press, 2009.
Reviewed in:
Bedford, Christopher. “Jacob Feige,” Frieze. March 2009. 170.
“Galleries- Chelsea: Jacob Feige,” The New Yorker. 12 January 2009.
Hudson, Suzanne. “Jacob Feige at Lombard-Freid Projects,” Artforum. February 2009. 193.
Wolin, Joseph. “Jacob Feige, ‘From the Bellona Museum of Natural History.’” Time Out New York. 9 Nov. 2011.
EXHIBITIONS
Lombard-Freid Projects. New York, 2011 (solo exhibition).
Jolie Laide Gallery. Philadelphia, 2010 (collaborative solo exhibition).
Movement Art Space. Worcester, UK, 2010 (solo exhibition).
Chambers Fine Art. Beijing, China, 2010 (two person exhibition).
Brooklyn Academy of Music. Brooklyn, NY, 2009 (group exhibition).
Orlando Museum of Art. Orlando, FL, 2006 (group exhibition).
Michael McGarvey
Michael McGarvey
Professor of Art (Visual Communication, Illustration)
EDUCATION
MFA, Temple University, Tyler School of Art
AREAS OF EXPERTISE
Graphic design, illustration, computer graphics, multimedia animation, drawing
COURSES
ARTV 2230 Illustration I
ARTV 2268 Computer Animation for Multimedia
ARTV 2270, 3271 Graphic Design I & II
ARTV 4580, 4581 Senior Project in Visual Communications I & II
ARTV 4926 Design for Community Partners
GAH 1259 2-Dimensional Design on the Computer
GAH 2012 Art Appreciation
GAH 2164 History of Graphic Design
PUBLICATIONS
Published design and illustration (2012-2007)
Beer City Prints Portfolio; a limited edition print portfolio, A collaboration between the Wood Engravers Network and Asheville Bookworks artists, published by Ashville Bookworks, 2012.
Invited submission for Parenthesis 21, Journal of the Fine Press Book Association. Deluxe Edition Ephemera Portfolio. 2011.
Invited for Wood Engraver’s Network, Calendar; Cover wood engraving and design, 2011.
Selected forA Calendar of Days, 2011 Art Calendar from members of the Wood Engravers’ Network. The Porcupine’s Quill Press, Erin Ontario.
Me myself and Ifor the Ephemera Portfolio of Parenthesis 17, Journal of the Fine Press Book Association, 2009.
Selected for Cover of Multiples: Volume Six, Number Twelve, November Newsletter of the Society of Wood Engravers, Oxford, U.K.
Design for Pattern paper for Deluxe Edition of Parenthesis 13, Journal of the Fine Press Book Association used in Boxed, bound journal and portfolio of printed Ephemera from Fine Presses in North America. December 2007.
Censorship Poem and Wood Engraving limited edition bifold printed for the Fine Press Book Association Deluxe Subscriber Edition of Parenthesis 13. 2007.
EXHIBITIONS (2012-2007)
Ocean City Art Center, Invited for One Person Exhibition of Wood Engravings and Digital Prints. October 2012.
The 74th Annual Exhibition of the Society of Wood Engravers. Art Jericho, Oxford, 9/22/11- 10/22/11, Bankside Gallery, London 11/26/12 – 2/3/12 and is touring UK.
“Broadsides 2011”Atelier 6000. Juried group exhibition, Bend Oregon 11/11-12/11. Two pieces selected.
Wood Engraver’s Network Relief Engraving Exhibition, Asheville Bookworks, Ashville NC, 5/10/12-6/30/12. Two pieces selected.
Juried Group exhibition: “Earl of Enigma” selected for the 73rd Annual Exhibition of the Society of Wood Engravers, Oxford England. RBSA Birmingham UK, 11/8/10 – 11/20/10 Bankside Gallery, London 1/20/11- 2/3/11 and touring UK.
Piece selected for the juried exhibition of broadsides and other ephemera co-sponsored by the American Printing History Association and the Museum of Printing, in North Andover, Massachusetts. Permanent collection of the Museum of Printing Archives. 2009.
Two pieces selected for the 71st Annual Exhibition of the Society of Wood Engravers, Bankside Gallery, London and touring UK, 2008.
PROFESSIONAL AFFILIATIONS
Board Member Fine Press Book Association
Treasurer for the Fine Press Book Association (2010)
Printed Ephemera Coordinator for the Fine Press Book Association
Deluxe Editions of the North American Parenthesis Issues 9, 11, 13, 15 and 17 (2004-2009)
American Institute of Graphic Arts, Philadelphia
Fine Press Book Association
Wood Engravers Network (2004-2009).
Jedediah Morfit
Jedediah Morfit
Professor of Art (Sculpture)
BIOGRAPHY
Jedediah Morfit graduated from Connecticut College with a degree in Religion Studies, and spent the next six years working as a freelance fabricator and illustrator. As an illustrator and designer, his work appeared in magazines that ranged from Forbes to Mother Jones, and his commercial client list included Microsoft and Coca-Cola.
He received his MFA in sculpture from the Rhode Island School of Design in 2005, and joined The Richard Stockton College the following year. He was a Fellow at the Center For Emerging Visual Artists, in Philadelphia, from 2007-2009, awarded a New Jersey Council On the Arts Fellowship for sculpture in 2009, and won the Dexter Jones Award for Bas Relief from the National Sculpture Society in 2011 and 2012.
WEBSITE
EDUCATION
MFA, Rhode Island School of Design
AREAS OF EXPERTISE
Sculpture, illustration
COURSES
ARTV 1169 3D Foundations
ARTV 2269 Sculpture I
ARTV 3768 Sculpture II
ARTV 3770 Sculpture III
ARTV 4830/4831 Senior Project in Sculpture I & II
ARTV 4832 Senior Portfolio in VIBA
GAH 2253 The Sacred Object
PUBLICATIONS
Complete portfolio and CV available at http://jedediahmorfit.com/
Kate Nearpass Ogden
Kate Nearpass Ogden
Professor of Art History
BIOGRAPHY
Kate Nearpass Ogden has been at Stockton University since 1991, teaching the art history survey (Art History I and II) as well as specialized courses in American art, modern art, and the history of photography. Since 2003 she has occasionally taught a course, Art of New Jersey, in which students write essays for the website Art & Architecture of New Jersey.
Prof. Ogden's publications have focused on 19th century American painting and photography. Her book, Yosemite (2015) is a cultural history of a spectacular scenic location. It was preceded by a major essay, “California as Kingdom Come,” in the exhibition catalog Yosemite: Art of an American Icon (Los Angeles: Autry Museum of Western Heritage, 2006).
Other recent publications include two essays for the Encyclopedia of Greater Philadelphia (PhiladelphiaEncyclopedia.org): "Painters & Painting" and "The Peale Family of Artists."
Kate Ogden has chaired the Stockton University Art Gallery committee since 1991. She has occasionally curated exhibitions for the Art Gallery, including (most recently) "Tim Daly and Valeri Larko: Learning from New Jersey" (2012) and "Jacob Landau: The Holocaust Series and Other Prints" (2010). Her most ambitious curatorial project took place in 2008, when she curated and wrote a catalog for the exhibition "From Cape May to Cairo: The Work of George Washington Nicholson" (Oceanville, NJ: The Noyes Museum of Art, 2008).
Early in her career Prof. Ogden received Luce Foundation Fellowships (1988, 1989), a Virginia Steele Scott Fellowship (Huntington Library, San Marino, CA, Summer 1988), a Smithsonian Institution Short-Term Visit Award (1988), a Hilla von Rebay Guggenheim Museum Fellowship (1981), a Guggenheim Museum Curatorial Internship (1981), and a Smithsonian Institution Exhibition Internship (1980).
Grants and awards received while teaching at Stockton include two New Jersey Humanities Council Mini-Grants (2006, 2008), Stockton College Distinguished Faculty Fellowships (1993, 2004), a grant from the Casino Reinvestment Development Authority of Atlantic City (2001), and a National Endowment for the Arts Grant (1995).
Prof. Ogden's community engagement has included numerous lectures for arts groups and cultural institutions in the region, serving as a guest juror for local art exhibitions, and occasional curatorial collaborations. She sponsors student internships at the Noyes Museum of Art and the Stockton University Art Gallery, and has involved her students in projects for her website Art & Architecture of New Jersey, for the Noyes Museum of Art, for Vineland Historical and Antiquarian Society, and other local groups.
Prof. Ogden serves on the New Jersey State Review Board for Historic Preservation, the agency that recommends buildings for the State and National Registers; she is currently Vice-Chair of the board. In 2014 she was a member of the planning committee for the Vernacular Architecture Forum's Annual Conference "Down Jersey: From Bayshore to Seashore," for which she was project coordinator and photo editor of the conference guidebook to architecture in southern New Jersey. Prof. Ogden is also on the Board of Directors (now the Advisory Board) of The Noyes Museum of Art of Stockton University.
EDUCATION
Ph.D., Columbia University
AREAS OF EXPERTISE
19th & 20th century American painting and photography
COURSES
AMST 5004 19th-Century American Art
ARTV 2175/2176 Art History I & II
ARTV 3335 Art of New Jersey
ARTV 3610 Nineteenth-century Art
ARTV 3611 Early Modern Art
ARTV 3612 American Art
ARTV 3613 Modern Art Since 1950
ARTV 4950/51 Senior Project in Art History I & II
GAH 2227 History of Photography
PUBLICATIONS
Yosemite. London: Reaktion Books, Ltd., Oct. 2015.
"Painters & Painting.” The Encyclopedia of Greater Philadelphia (PhiladelphiaEncyclopedia.org, online), 2016.
“The Peale Family of Painters.” The Encyclopedia of Greater Philadelphia (PhiladelphiaEncyclopedia.org, online), 2016.
Guidebook to Southern New Jersey architecture, Down Jersey: From Bayshore to Seashore (Photo Editor and Project Manager), produced in conjunction with annual conference of Vernacular Architecture Forum, May 2014.
“California as Kingdom Come.” Yosemite: Art of an American Icon. Autry Museum of Western Heritage, Los Angeles. 2006. 23-53.
“Carved in Stone: Looking at American Art in New Jersey Burial Grounds,” in Siobhan Fitzpatrick, ed., Ghosts, Ghouls & Gravestones: The Trades of Burial (Exhibition catalogue, The Museum of Early Trades and Crafts, Madison, NJ, 2013), pp. 42-63.
Essay, “Michael Lenson: From Murals to Modernism,” in Time, Place and Substance: Selected Works by Michael Lenson (Exhibition catalogue, The Butler Institute of American Art, Youngstown, Ohio, 2012), pp. 4-15.
“Michael Lenson: From Murals to Modernism.” The Butler Institute of American Art, Youngstown, Ohio. 2012. 6-17.
Essay, “Surface Tension,” in Joseph Podlesnik: Surfaces (book of photographs, self-published, 2015).
Article, “Camera Lies Before PhotoshopTM,” New Horizons in Visual Literacy: Selected Readings of the International Visual Literacy Assocation, edition 200 (June 2012), pp. 133-144.
“Portraits by George Washington Conarroe.” American Art Review 22.6 (2010): 76-79.
“The Work of George Washington Nicholson.” American Art Review 20.4 (2008): 80-87, 143-144.
Exhibition Catalogue & Essay, From Cape May to Cairo: The Work of George Washington Nicholson, The Noyes Museum, Oceanville, NJ, April 22 – Nov. 9, 2008; curated exhibition drawing from public and private collections in New Jersey, Pennsylvania, and Delaware.
“Within the Tradition: Photographic Portraits of Holocaust Survivors,” in Holocaust Survivors of South Jersey: Portraits of Resilience, Atlantic City Art Center; produced by the Holocaust Resource Center, Stockton College, 2007; 2nd ed. 2008.
PROFESSIONAL AFFILIATIONS
College Art Association
Association of Historians of American Art
Association of Historians of 19th Century Art
Nineteenth Century Studies Association
C. Hannah Ueno
C. Hannah Ueno
Professor of Art (Visual Communication)
BIOGRAPHY
Hannah Ueno has worked as a graphic designer in San Francisco and Tokyo before joining Stockton University. She teaches 3D Computer Modeling and Animation, Digital Imaging and Typography, Web and Interactive Media Design. A fellow member of the Honor Society of Phi Kappa Phi, she received her MFA in Visual Communications from Washington State University, and B.F.A. from Nihon University-College of Arts in Tokyo, Japan.
Her work is exhibited nationally and internationally in galleries and museums.
Hannah is a recipient of numerous awards for her work in graphic design, digital art, and photography, including the Design Excellence Award from the American Institute of Graphic Arts, Creative Quarterly magazine, and New Jersey Emerging Artist Series. Her prints are included as the permanent collection at Southern Nevada Museum of Fine Arts, Turchin Center for the Visual Arts, and Sapporo International Center.
EDUCATION
MFA, Washington State University
WEBSITE
AREAS OF EXPERTISE
Graphic Design, Digital and Interactive Media, Web Design, Lenticular Imaging, 3D Modeling and Animation, Photography, Illustration.
COURSES
ARTV 3676 3D Animation (Q2)
ARTV 3674 3D Modeling (Q2)
ARTV 4580 Senior Project in Visual Communication I (Fall semester)
ARTV 4781 Senior Project in Visual Communication II (Fall semester)
ARTV 4925 Internship
ARTV 4926 Design for Community Partners
GAH 2267 Unlocking Creativity (W2, I)
LANG 1375 Introduction to Japanese
PORTFOLIOS
Metafisica - 3D Lenticular Images of Cityscape and Dreamscape;
Urban Jungle Gym - Pen and Ink;
Virtual Tour from Ando Hiroshige's Tokaido prints;
Virtual Tour from MC. Escher's prints;
19th century School Architecture in Japan - Photography;
Table Series - Digital Art.
BOOK INCLUSIONS
Contemporary Masters Vol.4 and Vol. 5;
Graphic Design USA: 18, AIGA Annual Design Compendium.
JOURNALS
Creative Quarterly Vol. 39/40;
Music, Sound and Moving Image Journal, Liverpool University Press, UK;
MAC Addict;
Various exhibition catalogs.
EXHIBITIONS AND AWARDS
List available at http://hannahueno.com/about.html
PROFESSIONAL AFFILIATIONS
American Institute of Graphic Design
National Honor Society of Phi Kappa Phi
NJ Tech Council
Wendel A. White
Wendel A. White
Distinguished Professor of Art & American Studies (Photography)
BIOGRAPHY
Wendel A. White was born in Newark, New Jersey and grew up in New York, Pennsylvania, and New Jersey. He was awarded a BFA in photography from the School of Visual Arts in New York and an MFA in photography from the University of Texas at Austin. White taught photography at the School of Visual Arts, NY; The Cooper Union for the Advancement of Science and Art, NY; the International Center for Photography, NY; Rochester Institute of Technology; and is currently Distinguished Professor of Art at Stockton University.
His work has received various awards and fellowships including a John Simon Guggenheim Foundation Fellowship in Photography, three artist fellowships from the New Jersey State Council for the Arts, a photography grant from the Graham Foundation for Advanced Studies in the Fine Arts, a New Works Photography Fellowship from En Foco, and a Juror’s Choice Grant from Center, Santa Fe, NM. His work is represented in numerous museum and corporate collections.
White has served on the board of directors for the Society for Photographic Education, Kodak Educational Advisory Council, NJ Save Outdoor Sculpture, New Jersey Black Culture and Heritage Foundation, and the New Jersey Council for the Humanities.
Recent projects include; Red Summer, Manifest, Schools for the Colored, Village of Peace: An African American Community in Israel, Small Towns, Black Lives, and others. A selection of images from the Manifest project are the subject of his latest book published by Chroma from the California Institute for Integral Studies, San Francisco, CA.
WEBSITE
EDUCATION
MFA, University of Texas at Austin
AREAS OF EXPERTISE
Photography, digital imaging, multimedia
COURSES
ARTV 2140 Digital Photography
ARTV 2121 Photo: Film & Darkroom I
ARTV 2136 Museums and Galleries
ARTV 2321 Photo: Digital Image & Print
ARTV 3240 Photo: Film & Darkroom II
ARTV 3241 Alternative Photo Processes
ARTV 3625 Photoshop
ARTV 3825 Photoshop II
ARTV 4920/4921 Senior Project in Photography I & II
PUBLICATIONS
Portfolios: Red Summer, Manifest, Schools for the Colored, Village of Peace, Small Towns Black Lives, Industrial Landscapes, Manipulated Landscapes, and others.
Books: Manifest. San Francisco: Chroma, California Institute of Integral Studies, 2014.
Small Towns, Black Lives. Oceanville, NJ: The Noyes Museum of Art, 2003.
Journal Articles: "Schools for the Colored: Places, Words, Pictures" Buildings & Landscapes Vol. 22.1 (2015): 63-89
Books that include my work: Envisioning Emancipation; Posing Beauty; The African American Experience in Cyberspace; Family, History, Memory; and others.
Periodicals: Smithsonian Magazine, Afterimage, Nueva Luz, exposure, American Photo on Campus, New Jersey Monthly, Transition, Bomb Magazine, and many other newspapers and exhibition catalogs.
PROFESSIONAL AFFILIATIONS
Society for Photographic Education, American Society of Media Photographers, College Arts Association
Visual Arts Staff
Adjunct Faculty
Michael Cagno
Ryann Casey
Dan Gambert
Emeritus Faculty
Alfonso Corpus
Special Opportunities
Students have access to studios for printmaking, painting, drawing, sculpture, graphic design and computer graphics, and a photographic darkroom. The Stockton University Art Gallery hosts a variety of exhibitions throughout the year, including work by graduating BFA students. The Visual Arts Program offers regular bus trips to New York City and Philadelphia.
Interested students have the option of participating in Design for Community Partners, a service-learning internship in which design students collaborate with not-for-profit community partners to solve visual communication problems for the benefit of the entire community. Students also have the opportunity to participate in internships with other companies, studios, and museums, including the Noyes Museum of Art of Stockton University.
The Art Club is an extracurricular organization, open to any Stockton student that engages in art-related creative and social activities. Activities have included field trips; figure drawing sessions, silk screening, button making, and the production of a colorful calendar featuring student artwork.
Facilities
Students have access to studios for printmaking, painting, sculpture, graphic design and computer graphics, and a photographic darkroom. A brand new Art Gallery hosts a variety of exhibitions throughout the year.
Careers
Additional Careers
This list is not exhaustive but it provides a solid idea of what fellow graduates have gone on to do and what potential careers a Visual Arts degree can offer. Some options are more directly associated with specific areas of Visual Arts than others.
- Architect
- Archivist
- Art Consultant
- Art Editor
- Art Gallery Director
- Artist
- Cartoonist
- Cinematographer
- Courtroom Sketch Artist
- Critic
- Curator
- Engraver
- Exhibit Designer
- Fashion Designer
- Furniture Designer
- Gallery Director
- Graphic Designer
- Historian
- Illustrator
- Interior Decorator
- Jewelry Designer
- Journalist
- Landscape Designer
- Medical Illustrator
- Multimedia Consultant
- Museum Director
- Non-profit Administrator
- Painter
- Performer
- Photographer
- Product Designer
- Sculptor
- Set Designer
- Special Effects Consultant
- Tattoo Artist
- Teacher
